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She'll Be Right, Mate
But it'll be hard yards getting there.
Having worked with Australian wines in the US market for over two
decades, I am frequently asked for comments and observations about the
ever-evolving “current state” of the Australian wine industry. Journalism being
what it is, the entirety of my thoughts and opinions is often edited down to
only a few choice phrases. I hope to rectify that here. Your comments are most
welcome and appreciated. Please send to
info@jugshop.com
. –C.H.
Unless you’ve been under a rock (or possibly trapped in a fermenter), you’ll
have noticed that the Australian wine industry has taken a pretty serious media
bashing of late. Articles by
Jancis Robinson (Financial Times),
Mike Steinberger
(Slate.com)
and Jay Miller (Robert Parker's
The Wine Advocate) have bemoaned
Australia’s status among her global wine competitors based upon declining sales
volume as well as waning prestige at the upper-end of the wine market. And now
comes
Meraiah Foley’s recent article in the New York Times.
While playing
another round of “Let’s Slag Australia!” is certainly not a new journalistic
endeavor, editors must find that it still makes for good copy. It definitely
ignites the bulletin boards, forums and the blogosphere with the enflamed
opinions of supporters and detractors of Aussie wine. The sad bit is that while
there exists some “truthiness” to the detractors’ arguments, very little has
been said to reflect an alternative perspective on the subject.
The focus
of much of the recent criticism has revolved around the success of [yellow tail]
(properly spelt, thank you!) and the menagerie of critter brands exported to the
US from down under which seemed to multiply in number almost overnight. What is
interesting is that American journos (at least those old enough to know better)
seem not to have noticed that “cheap and cheerful” wines from Australia have
been exported for years—certainly long before [yellow tail] was in the moneyed
daydreams of the Casella family. While the first Aussie wines arrived on our
shores in the late 60s and early 70s, the “modern age” of Australian wine
exports began in the mid-80s with the advent of Lindemans Bin 65 Chardonnay, as
well as critter brands of the time such as Roos Leap. The American thirst for
value oriented wines which the Aussies filled during that era has long cemented
the foundation of the wine trade between our two nations. Though it may have
seemed so to those who weren’t paying attention, the value-oriented wines and
critter brands of Australia are not something that just happened out of nowhere.
While the success of critter brands is being blamed for the blemishes on
Australia’s reputation as a “serious” wine producing country, no one is talking
about the real reasons for the demise of the upper end of the Australian wine
market, which I attribute to “a perfect storm of laziness”. When Aussie wines
became the media darling of publications such as The Wine Spectator and The Wine
Advocate, the predominantly South Australian shiraz which filled the marketplace
was quite literally selling itself by the numbers- a score of 90+ became the
currency of the day. Importers of wines from the Barossa and McLaren Vale became
overnight success stories and there was really no incentive for them (or anyone
else apparently) to explore other Australian varieties or regions. All that was
needed was a great score and some minimal marketing and the wines were flying
through every channel of distribution.
Feeling that they had hit the
proverbial gold mine, many of those wineries later began to raise prices and/or
production levels while at the same time, some of the most lauded winemakers
represented by these suddenly famous importers stopped visiting our shores to
tell the story and sell their wares. Importers and distributors handed out
allocation offerings of brand new wines with Parker and Spectator ratings, but
never popped corks. Retailers bought wines sight unseen (or should that be taste
untasted?) and sold them to their customers based on scores. And consumers
purchased them on faith without ever analyzing whether the style was one they
appreciated. It was high times, and the Australian wine industry, now selling
South Australian wines in record numbers across all price points, had no need to
show off the diversity of its wine business.
Well, the chicken has
certainly come home to roost. There are definitely problems that must be
addressed by all if things are ever going to get better and, blessedly, there
are signs of progress in that regard. But in the rush to analysis, what many of
Australia’s critics fail to realize is that the problems of the industry are not
so simple as they would have you believe. The fatal laziness I defined earlier
is also reflected in America’s poor understanding of Australia as a winegrowing
nation. It was only five years ago that Robert Parker’s guide to Australian wine
regions declared riesling and gewurztraminer as important grapes of the Yarra
Valley, Heathcote wineries like Jasper Hill and Wild Duck Creek were listed as
part of Bendigo, and while writing about regions like the Swan Valley, he
overlooked Tasmania and the Mornington Peninsula. There is an Australia out
there which most do not know. If they did, many criticisms would evaporate.
For example, one often hears from educated members of the trade that
Australia produces nothing but factory-made wine from enormous wineries run by
faceless corporations. Therefore all of Australia’s wines must be homogenous
crap. Yes, the top 25 wineries produce 90% of the country’s wine. But that
leaves some 1,950 wineries, most of them quite small and family owned, to make
up the rest of a vibrant and diverse industry. All of this coming from 65
growing regions spanning a country the size of America.
And what of the
overlooked viticultural treasures to be found down under? Much hoo-hah is made
over pinot noir produced from stolen DRC budwood, as if this somehow
demonstrates a relationship to royalty and, by association, to quality. Yet
almost none of the “Rhone Ranger” winemakers from California that I’ve talked to
over the past decade has been aware that most of the pre-phylloxera clones of
syrah, grenache and mourvedre are now found only in Australia, many planted on
their own roots and some in vineyards nearly 160 years old. One might think
winemakers would be twittering like crazy and flying to Australia by the
planeload to obtain cuttings from these treasured old elders! These are but two
momentous facts about the Australian wine industry that somehow remain largely
unknown, despite having a significant presence in the American market for over
20 years.
The arguments made about the current status of Australian
wines in America are also narrowly focused and fail to see the larger picture.
For one, many of the wines that are not selling anymore, the wines that have
incurred outright condemnation by many in the trade, are the so-called ooze
monsters that were once the darlings of the wine critics. Those same critics
often focused entirely on certain styles from certain areas and failed to tell
their readers about shiraz styles from other regions as alternatives.
Australia’s entire wine industry was literally defined by a handful of regions,
as if nothing else existed there. As an analogy, this would be like dismissing
the entirety of the California wine industry based on the fact that the Santa
Rita Hills produces high alcohol pinots.
Please don’t
misunderstand—Barossa and McLaren Vale should make wines reflective of their
terroir as understood by the growers and vignerons who make them. Perhaps the
wines aren’t to everyone’s taste, but then no wine variety or style is to
everyone’s taste. I personally don’t “get” gruner veltliner and my partner would
probably rather be shot than drink pinot gris. But neither of us would presume
to tell a winemaker how to make their wines or that their wines shouldn’t be
made just because we aren’t its biggest fan. I tend to defer to their expertise,
especially after a 175 year winemaking history.
Secondly, the folks that
are screaming the loudest (retailers, distributors, etc.) about the current
malaise are those who put all their eggs in the South Aussie shiraz basket. What
they did (like many who have lost their butts in the stock market) is they
failed to diversify. At The Jug Shop, Australian wine sales overall are down
less than 5%, but more for wines above $40. But we also sell the range of
Australia. If you don’t like ooze monsters, well then, we’ve got some more
elegant styles from Victoria. How about some Grenache? Not much oak there. Like
rosé? We got ‘em. Ceviche for dinner? Have I got a riesling for you! How about
stickies? Ever try sparkling shiraz? Those retailers that sell the full range of
Australian wines are doing fine. It stands to reason that it’s those who didn’t
diversify that have suffered the biggest losses. (Curiously, they seem not to
take any blame for the failure to educate themselves about Australia’s
diversity.) Bad news sells and what we haven’t seen are those success stories
that could shed a light on a possible way out of the current situation.
Finally, there are a few things which also need to be remembered. Australian
wines, while not the hot category they once were, are not going anywhere. All
regions have their 15 minutes and then it’s off to the next big thing. Today
it’s malbec, yesterday it was gruner veltliner. And it’s not just high-end South
Australian wine that’s suffering. Syrah sales are also off for many of
California’s Rhone Rangers, especially at the top end of the market. This
“sophomore slump” will end at some point.
Australia also has a large
amount of goodwill banked over the years, especially among the average consumers
of America. The country’s wines are seen as good values that over-deliver on
price and flavor. These qualities will be especially useful in a souring economy
where wines from other parts of the world look to be comparatively expensive.
Additionally, many winemakers are now working overtime selling their wines in
the US and they are effective and personable storytellers. The industry and its’
government agencies also realize that it’s back to Square One and time to
refocus educational efforts towards an understanding of regional and
viticultural diversity. Wine educators, the restaurant trade and wine
distributors will be the focal point of this new project. We can also expect new
marketing and educational programs from the states of Australia and even
individual growing regions as they try to focus their messages to the American
market, much as the wine producing counties and AVAs of California currently
operate. In short, Australia ain’t goin’ down without a fight.
But what
actually may be the root cause of Australia’s current condition is that it
really suffers from a case of tall poppy syndrome. Overly concerned that their
great wines don’t measure up to those of the Old World, there is a bit of an
inferiority complex about the industry. For some, the wines of Europe set the
standard by which all Aussie wines are measured. Even locally, the great pinots
of Australia are often viewed in a less than favorable light compared to their
counterparts from New Zealand (which cannot be said when it comes to rugby or
cricket). Today, you’d be super hard-pressed to find a Napa Cabernet producer
present his or her wine as if it had to measure up to Bordeaux! And a recent
report that
Italian wine exports fell off by over 20% in the US during the first quarter
of 2009
has not spawned a similar editorial furor nor the attendant deluge of
self-criticism within the Italian wine industry.
The wines of Australia
are, in fact, world class wines that show terroir, a sense of place, and reflect
an intimate history of people and the land where many have toiled to create
their wines. The swagger and confidence that is seen in Australian sport needs
to rub off on those who make and sell Australian wine, along with an
understanding that this country can easily be seen as one the globe’s top wine
producing nations. When that happens, and it will surely happen given
Australia’s drive and commitment to succeed, all this malaise we see today will
surely be something of the past.

Down Under Discoveries by Chuck Hayward, © July 2009
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